The United Sounds NYC Festival kicks off its inaugural event Friday, October 25, and Saturday, October 26, in Red Hook at Pioneer Works

Let’s take a moment to reflect on the music that made us hip this past spring and summer. 

His singular guitar and his unique approach to his chosen genres mean that he sounds like no one else.

Dawn talks to RFB about her latest track, performances, and plans for the future.

Dick Dale's Lebanese roots and connection to the Arab world layed the foundation of his innovative surf-rock sound.

Why has the American accent become de rigueur for artists around the world?

BRIC! Celebrate Brooklyn Executive Director talks about the challenges and successes of her first season.

Stoupe The Enemy of Mankind and Canibus caught lightning in a bottle in a strange but successful way.

California's LA LOM and Thee Sacred Souls bring the romantic allure and charm of classic Mexican Boleros and Cumbina Sonidera inspired music

The double album is a dying breed, but the vanity and ambition needed to make them will never go out of style

Rap covers succeed when they take a song with universal lyrics and give it a complimentary coat of new paint.

Where Curtis Mayfield lays back, The Jam lean forward.

When considering the Greatest American Rock band, apply the three C’s: Critical acclaim, Commercial success, and Cultural relevance.

Like wine, some musicians get better with age.

Bette Smith's new music sounds like a party

"Hey Soul Sister" is a memorable, significant song, but for all the wrong reasons.

Colin Tracey discusses the feelings of those of us who love too hard, struggle to let go, and are afraid to be alone. 

His timekeeping was sloppy, but his feel was amazing.

The music of Ringdown sounds more like the music Danni Lee, not Caroline Shaw, wants to make.

It’s still Stevie Wonder’s song, but Jeff Beck finally made it his for one night.

Perhaps the inspiration to toilet train a cat is indicative of an expansive mind that was willing to experiment and take risks

Otis continues to perform sporadically but remains a talented, insular mystery.

It’s a voice that can seem impossible but is often unforgettable. If you encounter one, cherish the experience. You don’t experience them often.

The album is no more than a footnote in a life lived largely. But it is not a failure.

It’s strange to hear a standard 4/4 pop melody get spun around like this. Music is more interesting when it makes your brain say, “Waitaminute - what just happened?”

Their musical lane may have been narrow, but they drove it in a monster truck powered by James Brown’s hairspray.

Spanish Model may be another footnote in Elvis Costello’s career, but it’s a career more memorable for the chances it has taken.

A new band making waves in the North Brooklyn/Lower Manhattan circuit have a heady sound that's both retro and refreshing.

The album didn’t break new ground, but it's fascinating to experience four geniuses re-imagining the work of four other geniuses.

You can’t dance to it, and it’s so inoffensive that your grandma can vibe to it.

Brooklyn's silkpunks subvert, reshape, and redefine what it means to be East Asian in a Western setting

The Cardigans were fringe artists with a rich library who had one song cross over out of nowhere. It never happened again.

If New York's Wu-Tang Clan were a basketball team, what would that look like?

The Brooklyn avant-garde music scene is no longer burgeoning; it is flourishing. 

Many songwriters are lauded for their descriptive lyrics. It’s rarer for a lyricist to do the same thing within a much tighter word budget.

Let’s take a trip back to 1984. Hair was big, pants were tight, Dallas was on TV every Friday, and two recording artists on either side of the Atlantic deployed a most unusual strategy.

For the past two years, a coalition of Brooklyn-based climate activists has been demonstrating in opposition to a fracked gas transmission pipeline project running from Brownsville to Greenpoint.

Come join RFB on a musical journey into the heart of Cuba’s Changüí country with RFB host Gianluca Tramontana.

George Faulkner spills about his favorite childhood band, the unexpected delight of creating music remotely—and internationally—during the pandemic, and why Sunday nights are Funday nights!

The Power of One: Kaitlyn DeTrinis of "Mixed Signals" wants to make us think more ethically about the way we all consume music.

Jim Melloan of “50 Years Ago This Week” has been bringing popular music from the 20th century to new audiences since RFB began. Read on for the method (and memories) behind his music madness! (That's Jim on the left with his sisters 50 years ago, in 1971.)

There hasn't been all that much to celebrate lately...but check out these Radio Free Brooklyn shows that reached milestones this summer! Shout-outs and congrats to all!

”Oh wait, I thought we were doing costumes for the 100th?! So I just bought this Jorge Luis Borges full-body suit and mask for nothing? Seriously, we talked about it and everything!”

In the mid-1960s, teenage Millie Small's hit song, “My Boy Lollipop,” helped pave the way for Jamaican music and musicians (especially ska), to become internationally popular.

“I’ve always thought if you can’t laugh into the abyss, it’ll laugh into you.” Experimental pop artist Noah Dreiblatt talks to RFB's Girl Wunder about his debut solo album, Doomscrolling, on the eve of his appearance on this week’s (05/07) Virtual Voyager!

Lovehoney frontwoman Aly Quiñones on what it was like for the band to create their new album (releasing 02/14/21) while the Covid-19 pandemic is still, sadly, a thing, being a little brown grrrl in a band making noise — and the William Burroughs quote she lives by.

“Love Me or Leave Me” host Francesca D’Alessio on her lifetime love of radio, why Nina Simone is her muse and how RFB’s “Wall of Lies” led to doing her show.

RFB editorial star Emily Scott penned this poignant tribute to the Fountains of Wayne frontman, who died from complications of COVID-19 in April 2020 at age 52.

Jessica Wu (a.k.a Girl Wunder of RFB’s Virtual Voyager), chats with electro-soul-jazz-house music producer Dan Berg (a.k.a. Fireberg) on the debut of his latest mix, “Supernova,” making music during a global pandemic — and the sounds you might find in outer space.

Broadcasting from Manchester, England, Alex Jones shares his love for psychedelic music and breathes new life into a genre associated with the turbulence and social changes of the 1960s.

He’s been a game show contestant, podcast host and co-founder of a game show marathon charity. Now, Christian Carrion adds “unscripted radio show,” to his considerable credits.

Jesse Roth brings her comedic chops to a new medium with her new show lauding (and loving) all things Pop.

Brian DiMenna and Scott Ishii have been shouting their hot takes on New York sports at each other since childhood. Now, you’ll get to hear them, too.

Multispecies host duo Kevin and Eric of “The Daily Echo” give their unique perspectives about... what it’s like to be a multispecies host duo.

Universal Pictures had E.T.; NBC had ALF. Radio Free Brooklyn has Cookie Puss — its new resident alien host who promises to be very tasty (if not exactly tasteful).

SoCal DJ Mr. Funkopops hosts a smooth and sensual “Private Party” where everyone (or at least RFB listeners) is/are always on ”The List.”

From September 22–28, Grace Exhibition Space presents a week-long virtual art event and fundraiser to celebrate its evolution — and survival as a dedicated home for performance artists.

Kent Koren, RFB’s host of “The Mothers of Connection,” penned this tribute to the great and prolific Cameroonian musician Manu Dibango, who died this spring from COVID-19 at the age of 86.

Jorge Arevalo Mateus and RFB’s Hurdy Gurdy Songs celebrates its 100th episode on Tuesday, September 15 with a calvacade of truth-telling musical talent from around the world.

Vivian Bossieux-Skinner of RFB's Art Corner revisits with Brooklyn singer-songwriter Hallie Spoor as she releases a new video of her song, “City Angels.”

Not many people would choose to debut a new radio show in the midst of an ongoing global pandemic, but Radio Free Brooklyn — and all of New York City — should be real glad Brad Bailey did.

RFB’s “Girl Wunder” debuts her new show “Virtual Voyager” in the midst of a global pandemic... and the worst civil unrest the U.S. has experienced in our lifetimes.

Many people love music, but to Eric Speck, letting it render you “useless” is an even higher calling.

Australian expat Fraser Tye on why “Brooklyn Vignettes” is Brooklyn’s ultimate “bedtime story.”